Saturday, December 14, 2019

Some poems about climate change for reading in 2020, h/t AB

Some poems about climate change, h/t AB

How to Let Go of the World” by Franny Choi
The author of two poetry collections, Franny Choi wrote this segmented prose poem for the PEN Poetry Series. It simultaneously captures feelings of helplessness and fierce love. It’s a must-read for anyone in need of interrogating personal feelings on the climate crisis.

Particulate Matter” by Molly Fisk
Fisk, who was recently named an Academy of American Poets Laureate Fellow, currently serves as the poet laureate of Nevada County, California. In 2018 her home state was ravaged by the historical Camp Fire, which destroyed homes and lives. In this poem, published on poets.org, she captures the devastating aftermath of that fire.

Letter to Noah’s Wife” by Maya C. Popa
In this searching poem, Popa asks the wife of Noah: “Was it you
who gathered flowers once the earth had dried?” The poem, published on poets.org, expresses in beautiful and haunting imagery feelings of helplessness and uncertainty.

Warned” by Sylvia Stults
In this deceptively simply poem, Stults gets at some of the deepest and most complex questions of climate change: who to blame and how to move forward. Published at familyfriendpoems.com.

Evening” by Dorianne Laux
Many works of climate-themed art touch upon human suffering, but in “Evening,” published on poets.org, Laux illuminates the devastating effects of climate change on the natural world. A very moving work by a poet of exquisite skill.

A Plastic Theatre” by Katie Schaag
This script-poem unveils the various agents of plastic production while capturing in compelling prose the reasons why humans continue to rely so heavily on the material. Published at imaginedtheatres.com

Metallic Reefs” by Sam Illingworth
The editor of A Sonnet to Science, Illingworth wrote “Metallic Reefs” after being inspired by scientific research on how metal pollutants are endangering coral reefs. A gorgeous poem about a brutal subject.

Comprador” by Mark Steven
Published this year in Protean magazine, “Comprador” throws down the gauntlet in its argument that “industry” is a code word for “extinction.”

A native Chamorro from Mongmong, Guam, Perez’s poetry focuses on climate change, environmentalism, and colonialism, linking large systemic issues with the small, everyday people, objects, animals, and events we all experience. In this gorgeous poem, he makes clear that the biodiversity of earth is interconnected in vital ways, and that the degradation of one kind of life leads to the degradation of all life. Published on poets.org.

“The maples sweat now, out of season.” That’s the first line of this poem by Parini, published at poets.org, which wrestles with the uncanniness of a world wherein even the formerly predictable cycles of the seasons have grown haywire due to climate change.

SEE ALSO:

UPDATED WTH ONE ANSWER: QUESTION FOR PSYCHOLOGISTS:

My 15 year old niece recently asked me if the handlettered
sign that Greta Thunberg carries with her everywhere she goes, all over Sweden, all over Europe, all over the USA and Canada and Madrid, on trains and on two translatlantic sailboat trips -- everywhere, almost never lettering out of her sight -- or the sight of newspaper cameramen or TV cameras --  ...

SEE ''photo'' of it here:
https://thebulletin.org/2019/09/greta-thunberg-is-a-painful-reminder-of-decades-of-climate-failures/#.XfRRNDlH63Q.twitter

that carries around the world at her photo opps is maybe /perhaps /possibly a psychological or magic or what and why?

ANSWERS?

https://thebulletin.org/2019/09/greta-thunberg-is-a-painful-reminder-of-decades-of-climate-failures/#.XfRRNDlH63Q.twitter

When I posted this question on Twitter and Facebook, as a friend and admirer of Greta and not as a critic, I like her, I think she is a very interesting person, I received this answer from a practicing pychotherapist in her 70s. She told me:

''My guess would be that the handlettered sign that she carries with her everywhere, on train journeys, ocean saiIboat crossings, and which she clutches in photos almost like she's holding a cherished teddy bear, is for her andher PR team of handlers something that has become iconic, her global signature if you will -- a kind of visual reference to where and how the youth climate demonstrations started -- so I think it's not so much a 'security blanket' or a 'lucky charm' or 'talisman' but not so much for her as for the outside world (rather than for Greta's own psychological well-being.) But I'm only guessing. I have no inside direct line to Greta or her advisors, I'm afraid. 


However, that said, let me add this: When I think of all the people, young and old, who have been out on the streets protesting about government inaction on the climate emergency, I find it pretty amazing to think that a year ago none of this -- school strikes, Extinction Rebellion -- had even started.  So Greta must be doing something right, no? If she needs it or uses it as a security blanket or talisman to buoy up her own spirits as part of her global appeal and journey, then more power to her."




A new genre - cli-fi - is offering stories that bring the crisis closer to home. #CliFi via The Cli-Fi Report cli-fi.net / hat tip to whoever created the eye catching graphic

A new genre - cli-fi  - is offering stories that bring the crisis closer to home. #CliFi via The Cli-Fi Report cli-fi.net / hat tip to  whoever created the eye catching graphic
 

Monday, December 9, 2019

As politicians meet in Madrid for COP25, activists in Hollywood are asking why more films and TV shows about global warming haven’t been greenlit since CBS’ “The Fire Next Time” in 1993.

As politicians meet in Madrid for COP25, activists in Hollywood are asking why more films and TV shows about global warming haven’t been greenlit since CBS’ “The Fire Next Time” in 1993.
As the Madrid climate talks, dubbed COP25, heat up over the coming days, it’s worth taking a moment to look back at a made-for-TV drama about climate change and global warming that aired on CBS in 1993. Titled “The Fire Next Time,” the two-part movie aired on American airwaves more than 25 years ago, and it has been mostly forgotten by climate activists in Hollywood and elsewhere.
Back then, CBS went the extra mile on climate change, depicting a family (headed by Bonnie Bedelia and Craig Nelson) struggling in a world with widespread drought, floods and hurricanes. “The Fire Next Time” is now available on DVD and well worth watching as we segue into what will surely be the trying times of the 2020s, and especially now as headlines about the current COP25 meeting play out worldwide, with sidebars about the always quotable Greta Thunberg as well.
James Henerson, who penned 30 episodes of “I Dream of Jeanie” earlier in his long Hollywood career, wrote the two-part TV movie and paved a path that very few TV networks have followed since.
In the movie, the main characters even watch a televised interview with a real scientist that is remarkably prescient:
Host: ”Hurricane Rachel, which has devastated Southern Louisiana, Mississippi, and the coastline of Alabama, has once again focused attention on the global pattern caused by the greenhouse effect. Dr. Schneider?”
Schneider: ”Even though some people still won’t admit it, the effects of global warming have been with us for a long time. . . Had the global community taken concerted action 25 years ago, much of this might have been mitigated.”
It’s hard to imagine that despite this TV movie having aired in 1993, the Hollywood film and TV industry has more or less ignored the pressing climate change themes that we faced then — and even more so now.
One Hollywood producer who is standing up for more climate themes in American movies and TV shows is Marshall Herskovitz.
A climate activist himself, he has publicly lamented the fact that after a year of his trying to pitch a climate-change themed TV series to the networks, not one studio was willing to greenlight a script he had written.
When asked why he faced resistance despite his track record, he told a reporter in Los Angeles: “They just weren’t interested.”

Saturday, December 7, 2019

Some of the great letter to the editor writers of the modern world in the 21st Century

Meet Mark Bessoudo in the UK, originally from Canada but now working in London. He often writes letters to the editor to various newspapers in Canada and the USA. I asked him about it. He replied: I would be more than happy to answer your questions by email. I've got lots to say about letter-writing!

I've been writing to newspapers and magazines for about 15 years now, mostly the NYT and Canada's Globe & Mail (60+ letters). I've had others published in various other publications. Some of the longer climate/science-related letters have been for Issues in Science and Technology. Topics I'm interested in have spanned everything from Middle East politics to food to urban sustainability to philosophy. 
 

Most of my writing (essays, letters, articles) are posted on my personal blog:  https://markbessoudo.com/writing/ 
 

 


https://markbessoudo.com/hi/ MXB_BW.jpg

I’m a London-based consultant, researcher and writer. Although my work is focused primarily on green buildings and sustainability of the built environment, my interests span across the spectrum of art, science and philosophy.

I started my personal website  as a way to collect my letters, articles, and essays that have appeared in various publications including The New York Times, The Globe & Mail, The PossibleNew Philosopher, Tricycle, The Walrus, Canadian Architect, and Issues in Science & Technology

Category Archives: New York Times

The ‘Unhappy Truth’ About Montreal Bagels

Re “Canadian Bagel Rivals Unite Against Environmentalists” (Montreal Dispatch, Nov. 27):
The story of two rival bagel makers in Montreal who have joined forces to oppose the demands of “anti-bagel radicals” — those local residents and policymakers who want to ban their wood-burning ovens because of the environmental risks they pose — sounds like something straight out of an episode of “Curb Your Enthusiasm” or “Seinfeld.” But it’s no laughing matter.
While wood-burning ovens help make Montreal bagels the best in the world (sorry, New York), the scientific consensus is demonstrably clear: Wood smoke, whether from an industrial oven or a home fireplace, is a major health hazard and contributor to urban air pollution.
Because of this unhappy truth, I now know what it must feel like for religious people to be told that their cherished beliefs collide with reality. The alternative — in this case, making Montreal bagels in non-wood-burning ovens — is sacrilege.
_______
Note: This appeared as a letter to the editor in The New York Times.
Photo by Chris Wattie for The New York Times

Is Travel Ethical Amid Climate Change?

Re “Travel’s Climate Problem,” by Andy Newman (Travel, June 9):
The “tragedy of the commons” — the term used to describe a situation in which individuals act in accordance with their own self-interest at the expense of the common good — is often used to explain the persistence of modern environmental problems. If only we had more data, facts and knowledge of the unintended consequences of our actions, the thinking goes, we would make better choices that would benefit everyone.
I’ve come to realize that this is wishful thinking. Even with a clear understanding of the consequences of our actions, a vast majority of people will still seek to have their desires satisfied rather than extinguished. The desire for travel is no different.
In his “Confessions,” St. Augustine prayed to be delivered from his lustful desires. “Grant me chastity and continence,” he pleads with God, “but not yet.”
To put this into modern terms, most environmentally minded people (me included) are living as if to say, “I want to reduce my carbon footprint, but not yet.”
_______
Note: This appeared as a letter to the editor in The New York Times.
Image by Antoine Maillard

Good Writing Matters, Mr. President

28-state-illo-superJumbo

Re “It’s the Twitter Age. Let Trump Have His Way With Words,” by Farhad Manjoo (State of the Art column, Aug. 28):
It’s not as if Donald Trump is an articulate, thoughtful or composed person who just happens to make spelling errors on Twitter. That would be forgivable.
The problem is that his tweets are like a mirror held up to the inner workings of his mind: nonsensical, unintelligent, erratic and dangerous.
The end result is a barrage of tens of thousands of tweets going back almost a decade that are full of not just spelling errors, but also a cascade of other public embarrassments: one-word sentences that operate more like dog barks, poor word choices, odd (or missing) punctuation, factual mistakes and outright lies.
This is unforgivable for a president. End of story.
______
Note: This appeared as a letter to the editor in The New York Times.

Reeling After the Orlando Massacre

Once again the United States needs to have a serious discussion about gun law reform. But in addition, there needs to be honest talk about the consequences of specific intolerant beliefs.
For example, the Charleston church shooting a year ago was fueled by an individual’s racist beliefs, so it was entirely appropriate for the national conversation to focus on the behavioral consequences of systemic and entrenched racism.
Similarly, after the countless Islamist terrorist attacks around the world — from Paris to Brussels to San Bernardino to Orlando, not to mention the daily atrocities in Syria, Iraq and elsewhere — it’s entirely appropriate to have a conversation about the behavioral consequences of specific religious beliefs.
Intolerant and illiberal doctrines related to martyrdom, blasphemy, honor and apostasy reliably lead to oppression and violence against women, homosexuals, freethinkers, liberals and even other Muslims.
An honest and mature public conversation about the consequences of specific beliefs, religious or otherwise, is not “Islamophobic,” nor is it bigotry against individuals as people. It is intellectual honesty. And, at this point, it’s also essential for the maintenance of civil society.
______
Note: This appeared as a letter to the editor in The New York Times.

Nature is Enough

The Chirp Heard Across the Universe” (editorial, Feb. 16), about the recent discovery of the gravitational waves that were predicted by Einstein a century ago, asks, “Does science, or knowledge, really need a justification?”
The answer, of course, is no. But in a culture that has become saturated with the idea that only commercial value matters, we’ve become afraid of expressing an impulse as natural and basic as this.
Much like literature, music, philosophy and art, enjoyment of the natural sciences — and of nature itself — has intrinsic value. No further justification is required. Curiosity, wonder and beauty are enough.
______
Note: This appeared as a letter to the editor in The New York Times.

Mixing Islam and politics

Re “How Politics has poisoned Islam” (Opinion, Feb. 4): Blaming “politics” for the conflicts we see around the Middle East and beyond is far too vague, simplistic and insufficient. It fails to explain the true nature of jihadist violence. Its root cause is an ideology that is steeped in theology, knows no borders, and extends across the entire socioeconomic spectrum.
Beliefs matter. When jihadists and their supporters tell us that they are compelled to act based on their beliefs about the metaphysics of Paradise, martyrdom, apostasy, blasphemy and honor we should take them at their word.
Countering jihadist violence requires intellectual honesty. Secular and moderate Muslims need to reform the faith by first being honest about the very doctrines that are in need of reform. They need to stand up for liberal and pluralistic values, not by obfuscating Islamist ideology, but by publicly acknowledging the central role that it plays in the worldview of the jihadists and their supporters. Furthermore, my fellow secular liberals must not conflate criticism of specific ideas with bigotry against people.
______
Note: This was published as a letter to the editor in The New York Times.

An Exception in an Ugly World

Re “Meditations on the beautiful game” by Enrique Krauze (Opinion, June 12):
The late Christopher Hitchens once wrote: “Whether it’s the exacerbation of national rivalries … or the exhibition of the most depressing traits of the human personality (guns in locker rooms, golf clubs wielded in the home, dogs maimed and tortured at stars’ homes to make them fight, dope and steroids everywhere), you need only look to the wide world of sports for the most rank and vivid examples.”
There is more than a seed of truth to this. Soccer, however, and in particular the World Cup, is the exception. The “beautiful game,” like a work of art, contains an ineffable aesthetic and intrinsic quality for which the enjoyment of it requires no further explanation.
______
Note: This appeared as a letter to the editor in The New York Times.



To the Editor of the New York Times, December 2019:

Re the article that appeared in the NYT recently titled “Canadian Bagel Rivals Unite Against Environmentalists” (Montreal Dispatch, Nov. 27):

The story of two rival bagel makers in Montreal who have joined forces to oppose the demands of “anti-bagel radicals” — those local residents and policymakers who want to ban their wood-burning ovens because of the environmental risks they pose — sounds like something straight out of an episode of “Curb Your Enthusiasm” or “Seinfeld.” But it’s no laughing matter.

While wood-burning ovens help make Montreal bagels the best in the world (sorry, New York), the scientific consensus is demonstrably clear: Wood smoke, whether from an industrial oven or a home fireplace, is a major health hazard and contributor to urban air pollution.

Because of this unhappy truth, I now know what it must feel like for religious people to be told that their cherished beliefs collide with reality. The alternative — in this case, making Montreal bagels in non-wood-burning ovens — is sacrilege.

-- Mark Bessoudo
London UK

吴岩 wrote:Dear Dan, I moved from Beijing to Shenzhen as a professor in Southern University of Science and Technology. I am very happy to see if you can have time to visit our university and present about the cli-fi in the future. I can pay for the local transportation, and if you do not care to stay at the university, I can arrange. Anyway, please keep contact and have more cooperation in the future.

吴岩  wrote:
Dear Dan, I am a professor in Southern University of Science and Technology in PRC China.  I am very happy to see if you can have time to visit our university and present about the cli-fi in the future.  I can pay for the local transportation, and if you do not care to stay at the university, I can arrange.  Anyway, please keep contact and have more cooperation in the future. Yours, YAN


 Yan



--

吴岩(博士、教授)
北京师范大学文学院
新浪微博:作家吴岩
腾讯微信:yan_wu98

Yan Wu (Ph.D.)
Professor
School of Chinese Language and Literature
Beijing Normal University
Beijing,100875,P.R.C.

原文链接 http://www.sfsignal.com/archives/2009/07/mind-meld-guide-to-international-sff-part-ii/

Yan Wu in 2009 article:

Yan Wu is an associate professor of Beijing Normal University. He began sf writing and publishing in 1979. Now he is the only one teaching sf as literature in a university that has a Master's program on sf criticism.

My short story "Mouse Pad" has been translated into English and published in Internova I.

I think that Chinese science fiction comes inevitably under three influences. First of all, it has been shaped by the Anglophone science fictions, with characteristics quite familiar to western readers. Secondly, it has been intensively influenced by local traditional culture. Thirdly, it reflects the specific demand of a certain era. As a result, it would be quite interesting to read Chinese science fiction from these three perspectives.

On the one hand, Chinese science fiction has a very strong proximity to the Chinese fairy tale, fable, folk tale, and the historical story. Intertextuality also frequently occurs between science fiction and Chinese folk tales. For instance, Pan Hai-tian's story "Legend of Yanshi" is closely associated with some tales in the Spring-Autumn and Warrior State periods as well as Chinese values and ideas on authority, family, and technology. In addition to that, a great number of works convey a strong message of Chinese attitudes towards nature, like the reflections on Taoism's value of the "harmonious relation between humans and nature". In Han Song's novelette "Escape from the Sorrow Mountain," it is not impossible to imagine the occurrence of spiritual communication between Buddha and humans in Chinese culture. Likewise, most of Wang Jinkang's works have been focused on taking over the position of rationality by Chinese harmonious ideas. The distinctive example is his novel Balance between life and death.

On the other hand, the dominant characteristics of specific eras show up in the Chinese science fiction of that era. Specifically, the early Chinese science fictions in the later-Qing era put great emphasis on the advocacy of building a wealthy and powerful nation. After the foundation of the People Republic of China, Chinese science fiction then shifted its focus on exalting communist ideals. With the dismantling of the Gang of Four, the lament on what was destroyed by the Great Cultural Revolution was the main theme in Chinese science fiction. Now prospects on China's future have become the popular topic in Chinese science fiction. What does China's future look like? Han Song's Red Ocean and Liu Cixing's Three Bodies and it sequel The Black Forests provided us their different insights on this issue. The former portrays the inescapable fate of China as one of the nations eventually declining due to environment degradation and destroyed by the inhumanity inflicted on the oceans. The latter, in an optimistic way, describes the leading role played by China in the world resistance movement in facing the invasion of a devil alien civilization. The two novels represent the top achievements of contemporary Chinese science fiction. 

吴岩
教授

学术方法论与文化创意教研室主任
wuy6@sustech.edu.cn

吴岩,北京市人,南方科技大学教授,学术方法论与文化创意教研室主任。

曾任北京师范大学教授(科幻文学、科学教育)、博士生导师(现当代文学科幻方向);2012国家社科重大项目“20世纪中国科幻小说史”主持人。
20世纪70年代师从叶永烈、郑文光从事科普和科幻创作,著有科幻小说、动漫作品多部。1991年起开设中国高校第一个本科科幻课程,2003年建立国内第一个硕士科幻硕士方向,并于2015年将该方向提升为博士研究方向,是中国科幻教学的先驱。
主持“科幻文学理论和学科体系建设”、“科幻新概念理论”、“西方科幻文论精选”、“新空间科幻电影”等科幻理论丛书和“最有想象力的科幻小说”、“世界著名科学家科幻”、“年度最佳科幻小说”等多个作品系列。曾任《科幻世界》特邀副主编。主编美国《科幻研究(Science Fiction Studies)》中国专号和论文集《(重新)想象这个世界:儿童文学应对未来变化((Re)imagining the World: Children’s Literature’s Response to Changing Times)》。
现任中国科普创作协会副理事长,《科幻世界.少年版》特邀主编

论著
专著
1、《领导心理学》,中央编译出版社,2017年
2、《中国科幻研究》(主编),湖北科学技术出版社,2016年
3、《科幻六讲》接力出版社,2013年
4、(Re)Imagining the World Children's literature's Response to Changing Times. Co-edited with Kerry Mallan and Roderick McGillis. Heidelberg, New York,Dordrecht,London: Springer, 2013   ISBN978-3-642-36759-5
5、《科幻文学论纲》,重庆出版社,2011年
6、《科幻文学理论和学科体系建设》,重庆出版社,2008年
7、《科幻文学入门》(合著),福建少年儿童出版社,2006年
8、《贾宝玉坐潜水艇—中国早期科幻论文精选》(主编)福建少年儿童出版社,2006年
9、《教育管理学基础》(主编),清华大学出版社,2005年
10、《人事组织心理学》(合著),人民教育出版社,2000年
重要论文
1、“Great Wall Planet”: Introducing Chinese Science Fiction. Science Fiction Studies. No.119, Vol.40, Part I. March 2013
2、数字产品与青少年    《南方文坛》2013第四期
3、中国小学生基础阅读书目(科学类)的编选(合著)《教育研究与评论》2012第五期35-42页
4、科幻理论与创意空间 《装饰》 2012第三期35-39页
5、科幻文学的中国阐释《南方文坛》2010第六期25-27页
6、大陆科幻文学(儿童文学)对人与自然关系的书写《国文天地》(合著),第二十四卷第八期2009年
7、从晓牧新作看移民文学的转型《南方文坛》2009第一期
8、莱辛的钟摆-作为科幻小说的《玛拉和丹恩历险记》 《广西社会科学》2009第五期98-103页
9、科幻与自主创新能力开发(合著)《科普研究》2008第二期50-54页
10、中国早期科幻小说的科学观(合著)《自然辩证法研究》2008第四期97-100页
11、教育知识转化的现状研究(合著) 《教育研究》2007第五期56-61页
12、刘慈欣与新古典主义科幻小说(合著)《湖南科技学院学报》2006第二期36-39页
13、学校知识管理:概念、方法和未来发展《中国教育管理评论》第1卷(2003)125-141页
14、中国科幻文学发展的两个时期《儿童文学研究》1996第二期
15、西方科幻小说发展的四个时期《名作欣赏》1991 第二期至第四期


科普著作
1、《科幻应该这样读》,接力出版社,2012
2、《最有想象力的科幻小说(1、2)》(主编),重庆出版社,2011
3、《这不是秘密》,黑龙江人民出版社,2005
4、《孩子,我告诉你》,黑龙江人民出版社,2005

专业领域
科幻文学与影视艺术、科学教育
担任课程
科幻:从小说到电影,科幻电影欣赏与批评,科幻理论研究,中西科幻比较研究,科幻名著选读,科幻与科学教育
科研项目
1、科幻文学的理论和体系建设(04BZW012),国家社会科学基金项目(2004-2011),人民币7万,已经结题并出版
2、20世纪中国科幻小说史(12AZW009),国家社会科学基金重点项目(2012-2016),人民币25万,结题评价良好
3、青少年文化产品的生产现状与引导策略研究(11AZW018)下属子课题“数字化产品对青少年的影响”,国家社科基金重大项目(2012),人民币2万,已经结题
4、北京高校知识管理的现状与未来,北京教育科研“十一·五”规划重点项目(2007),人民币2万元,已经结题
5、学校知识管理的理论与方法,北京教育科研“十·五”规划重点项目,人民币4万(2003),已经结题
获奖
1、《打印一个新地球》获中国科幻小说银河奖最佳短篇小说奖(2015)
2、《科幻六讲》获得世界华人科幻协会颁发星云奖最佳科幻评论奖(2014)
3、《西方科幻文论经典译丛》获得第四届中华优秀出版物提名奖(2013)
4、《科幻应该这样读》入选《中国教育报》2012年影响教师的100本书(2013)
5、《科幻应该这样读》入选《中华读书报》2012年100本好书(2013)
6、《科幻应该这样读》获得冰心文学奖(2012)
7、《西方科幻文论经典丛书》获得世界华人科幻协会颁发星云奖最佳图书奖(2012)
8、因对相关领域的突出贡献,获得世界华人科幻协会最佳传播金奖(2011)
9、《心灵探险》获得科技部、新闻出版署等共同颁发第四届全国优秀科普作品奖二等奖(2001)
10、《地球保卫战》获得全国精神文明建设“五个一”工程奖(2001)
11、《生死第六天》等获得文化部社会教育司等单位颁发中国科幻小说星座杯“白羊座金奖”(2001)
12、第四届励耘奖优秀青年教师奖(1998)
13、《教育管理学科建设和教学整体改革》获北京市普通学校教学成果奖(1997)
14、《教育管理学科建设和教学整体改革》获北师大教学优秀成果奖(1996)

It tells a hitherto unknown story of an unheralded Polish officer tasked with organising resistance and garnering intelligence. The book’s stark opening sentence is riveting regarding his mission’s destination: "Witold Pilecki volunteered to be imprisoned in Auschwitz."

.you to engage with the issue.
Revelations of unimaginable courage: The Volunteer by Jack Fairweather (WH Allen, 2019)
This compelling nonfiction work proves there is much still to learn about the Holocaust, and heroism.
It tells a hitherto unknown story of an unheralded Polish officer tasked with organising resistance and garnering intelligence. The book’s stark opening sentence is riveting regarding his mission’s destination: "Witold Pilecki volunteered to be imprisoned in Auschwitz."
Interned in September 1940, in messages smuggled via resistance networks he repeatedly urged the Allies to bomb the camp, long before the methodised murder of the Holocaust commenced. Pilecki remained in Auschwitz for two years; he escaped and continued fighting for the Polish underground and, post-war, in resistance campaigns against the communist regime.
Tragically, he was captured, tried and executed in 1948 by Poland’s Soviet-backed government, which deemed him to be a political threat not least because he had investigated Russian atrocities in his homeland during his post-Auschwitz missions.
For nearly 50 years after the war, Poland’s regime portrayed a propagandised version of Auschwitz in which only communist prisoners and Russian liberators could be heroes. Thus, Pilecki’s heroism was erased, and has only recently been uncovered as state archives have opened and Pilecki’s memoirs have been retrieved and translated.

Greta and Maja


reviewed by Dave Gorin in South Africa
December 5, 2019

Gentle but disturbing dystopian fiction: The End of the Ocean by Norwegian novelist Maja Lunde (pubished in 2019)

Which is more powerful: provocation or the pen?

Greta Thunberg’s dynamic, youthful activism must be admired. Maja Lunde may be her literary equivalent, persuasively pushing looming environmental disasters into our consciousness using imagination and narrative.

Lunde’s follow up to her award-winning History of Bees continues the climate change dystopia, set in a not-too-distant future when our actions today have unravelled into dire consequences for future generations.

This is creditable cli-fi because its projection is wrapped within contextual realism and a believable story; the characters could be many of us, and the circumstances — especially involving water stress issues — are happening right now.