Monday, November 7, 2016

''Cli-Fi'' News from Sweden: Nar fakta inte racker behover klimathotet en bra historia: Ett forskningsprojekt om ''cli-fi,'' skönlitterära klimatberättelser.

Nyheter

När fakta inte räcker behöver klimathotet en bra historia

Idag börjar det internationella klimatmötet i Marrakesh. Finnes: Experter som vet precis vad som måste göras. Och politiker som vet att de borde göra det. Saknas: Synliga resultat i form av minskade utsläpp. Sökes: Den stora berättelsen som får alla människor att bry sig. Kan romanförfattarna få oss att rädda klimatet? I Lund ska tre forskare ta reda på det.
 
Först de tråkiga nyheterna:
 
"Mänsklig påverkan har påvisats när det gäller uppvärmningen av atmosfären och oceanerna, i förändringar av den globala vattencirkulationen, i reduktionen av snö och is, i höjningen av den globala genomsnittliga havsnivån och i förändringar av klimatextremerna (se figur SPM6 och tabell SPM1.)"
 
Det där är skrämmande. Men får du gåshud av det? Är denna skildring ur klimatpanelen IPCC:s senaste rapport så stark att den förändrar ditt liv?
Ur klimatpanelen IPCC:s klimatrapport 2014.
Troligen inte. Fakta i all ära, men vad klimatfrågan behöver mest av allt just nu är kanske en roman. Den stora skönlitterära berättelsen som får oss alla att känna hotet så starkt att vi inte kan slå oss till ro förrän vi har gjort något.
 
Berättelser har sprängkraft. De vet vi sedan tidigare. Utan Vilhelm Mobergs romaner om Utvandrarna hade intresset för emigrationen från Sverige till USA kanske stannat på ett småländskt hembygdsmuseum. Utan tv-serien Holocaust hade Förintelsen kanske aldrig fått den stora berättelse som gjorde att tyskar och andra inte kunde förtränga historiens värsta brott längre.
 
Med George Orwells framtidsskildring 1984 fick vi en totalitär stat att förhålla oss till. Med Jan Guillous romansvit om Arn fick svenskarna en dittills oanad känsla för medeltidens Västergötland. Och så vidare.
 
– Det finns romaner som har använts som politiska referenspunkter genom åren. De har sammanfattat en generations erfarenheter och man har sedan ständigt hänvisat till dem, säger Johannes Stripple, forskare i statsvetenskap vid Lunds universitet.
Ett nutida exempel är Suzanne Collins romantrilogi Hunger Games (Hungerspelen), vars skildring av en sönderfallande civilisation har påverkat sina unga läsare så starkt att de numera kallas Generation K, efter huvudpersonen Katniss Everdeeen.
 
– Vi vill undersöka hur skönlitteraturen skapar ett annat förhållningssätt till framtiden än de vetenskapliga texterna, säger Alexandra Nikoleris som är doktorand i miljö- och energisystem. Hennes avhandling handlar om hur framtidsvisioner påverkar beslut som fattas på teknikområdet.
Statsvetaren Johannes Stripple, civilingenjören Alexandra Nikoleris och litteraturvetaren Paul Tenngart vid Lunds universitet driver ett gemensamt projekt på jakt efter den stora klimatberättelsen.
De "vi" som hon syftar på är en trio som består av civilingenjören Alexandra Nikoleris, statsvetaren Johannes Stripple och litteraturforskaren Paul Tenngart. De närmar sig klimatfrågan från var sitt håll. För ett år sedan inledde de ett gemensamt forskningsprojekt om litterära klimatberättelser.
Berättelser saknas inte. Climate fiction, eller cli-fi, är sedan flera år en etablerad genre.
 
– Skönlitteraturen kan lägga till dimensioner när det gäller klimatfrågan, som man inte riktigt kommer åt med vetenskapliga metoder, säger Paul Tenngart.
En skönlitterär berättelse som utspelar sig i en värld med förändrat klimat kan träffa sin läsare rakt i magen. Gå under huden. Beskriva en verklighet som det inte går att skjuta ifrån sig.
"Den sommaren, sommaren när alla regler började ändras, tycktes juni vara i tusen år. Temperaturen var skoningslös: trettioåtta, trettionio, till slut fyrtio grader i skuggan. Det var en hetta att dö i, att bli galen i, eller yngla av sig i. Gamlingar kollapsade, hundar i bilar blev levande kokta, älskande kunde inte hålla händerna ifrån varandra. Himlen tyngde som en ugnslucka, krympte jordskorpan, knäckte betongen, dödade buskarna från rötterna. I de förbrända förorterna klinkade glassbilarna sina barnvisor på gator som svettades tjära. Nere i hamnen reflekterade vattnet solstrålarna i tunna, barbariska speglar. Kvävda längtade vi efter regn. Det kom inte."
Detta är första stycket i Liz Jensens psykologiska thriller The Rapture. (Den finns inte på svenska, så översättningen är reporterns, liksom i det följande.)
– Jag tycker att detta fångar litteraturens försök att gestalta klimatförändringarnas konkreta effekter på vardagen, säger Paul Tenngart och fortsätter:
– Det är lätt för oss amatörer att lägga klimatfrågan i händerna på experterna och hoppas att de fixar det. En stor poäng med skönlitteraturen är att den lägger ansvaret på oss alla, så att problemet angår precis vem som helst.
– De vetenskapliga scenarierna handlar om trender och siffror. Skönlitteraturen handlar om enskilda människor, och beskriver hur individer på en viss plats påverkas, säger Alexandra Nikoleris.
"Hela stället var en enda röra – en spretig, kaotisk, vimmelkantig röra – men för ett kort ögonblick, när Large Keith öppnade dörren till den skottsäkra limousinen och den kylda luften fläktade hennes ansikte, slog det henne att det var något berusande i detta nya sätt att leva i Flatlands. Deras lilla experiment i självförsörjning skulle till och med kunna lyckas. Ticonderoga misslyckades, visst, men hade inte mänskligheten gjort detta förut – börjat om från början?"
Detta citat är ur romanen Odds against tomorrow av Nathaniel Rich. New York är översvämmat och stora delar av staden är förstörda. Staden ska byggas upp enligt en plan där olika delar prioriteras olika högt. I den del som är lägst prioriterad flyttar människor in som vill bygga upp något nytt.
– Jag letade efter ett stycke som kan illustrera att det finns utopiska drag i några av romanerna, säger Alexandra Nikoleris som valt detta exempel.
Hittills har de tre forskarna inte hittat någon bok som enbart handlar om klimatet. Berättelsena i cli-fi har ett annat tema men tilldrar sig i en förändrad värld.
– Enbart beskrivningar av klimatförändringar skapar ingen bra berättelse. Därför använder man skönlitteraturens mest grundläggande grepp: att förankra det hela i individer som upplever saker, säger Paul Tenngart.
Den stora skildringen av klimatförändringarna ryms inte i en enda roman, tror Johannes Stripple:
– Det bygger på antagandet att klimatfrågan går att koka ner och sammanfatta i en enda berättelse som tilltalar många. Men på samma sätt som att det inte går att skriva en berättelse om demokrati, eller om fattigdom, så kan klimatfrågan aldrig sammanfattas i en enda berättelse. Däremot kan det komma en bok som verkligen blir läst av alla och fungerar som en gemensam referenspunkt även om den inte sammanfattar helheten.
Tillfrågad om exempel valde Johannes Stripple Saci Lloyds roman The Carbon Diaries från 2015. Tonåringen Laura skriver dagbok. England har just infört ransonering av koldioxid. Varje familj måste hålla sig inom sin tilldelade utsläppsbudget:
"I kväll samlade pappa oss alla för att reda ut vad vår familjs CO-ranson egentligen är. Det är tufft. I grunden har vi en ranson på 200 koldioxidpoäng per månad, att spendera på resor, värme och mat. Alla andra grejor som kläder och teknologi och böcker har redan kolpoängen inbakade i priset, så säg att du vill köpa en PC som har fraktats hit från Kina och har förbrukat fossila bränslen vid tillverkningen, då måste du betala mycket mer för den i euro – för du betalar för all energi som gick åt för att göra den."
En författare som skriver cli-fi måste kunna sina saker. Om inte den beskrivna verkligheten verkar trovärdig blir det pannkaka av alltihop. Men forskarna ger cli fi-författarna högt betyg.
– De har överlag gjort väldigt bra research. Visst, det finns alltid något tekniskt fel i varje bok, men det är detaljer, säger Alexandra Nikoleris.
Kommer människorna att fatta och förändras av att läsa den stora klimatromanen? Kommer det då äntligen att hända någonting?
– Det återstår att se, säger Alexandra Nikoleris. Jag vet inte om jag är så hoppfull.
 
FAKTA

Skönlitterära klimatförändringar

Vad? Ett forskningsprojekt om cli-fi, skönlitterära klimatberättelser.
Vem? Tre forskare vid Lunds universitet. Alexandra Nikoleris, civilingenjör, Johannes Stripple, statsvetare och Paul Tenngart, litteraturvetare.
Hur? Diskussion av hur författare gestaltar klimathotet. Redovisning i form av rapporter, seminarier och artiklar.
Frågor? Hur gestaltas klimathotet i litteraturen? Vad har skönlitteratur för möjligheter att påverka oss i klimatfrågan? Vad skiljer romanen från den vetenskapliga rapporten?

Sunday, November 6, 2016

A ''cli-fi'' novel from CANADA is ready for publication and seeking a publisher in Canada or elsewhere. -- [DETAILS BELOW]

A ''cli-fi'' novel from CANADA is ready for publication and seeking a publisher in Canada or elsewhere. 
 
DETAILS:
 
A Canadian writer and novelist has written an [as-yet-unpubished but ready to be published] ''cli-fi'' literary novel set in Canada about the coutnry's oil sands issues, a literary novel concerned with the environment, eco-terrorism and how climate change will impact the heart and the family, not just the wallet and the state.
International fiction is increasingly interested in cli-fi, but until now, no novel has addressed Canada's oil sands, which are both the epitome of peak oil and the least sustainable project on the planet. American literature often addresses slavery; German literature often reckons with the Nazi Holocaust; here, finally, is a novel of not only Canada's oil sands, but also of how climate change is poised to challenge the family and the heart, not just the wallet and the environment. [The novel weighs in at 131,000 words.]
The story, in brief: a 17 year-old Canadian girl has grown up the privileged daughter of a geologist turned Calgary oil sands executive. When she falls for a Calgary bike courier who secretly scans many of the oil contracts he's paid to deliver, she finds a lover and a comrade-in-green-arms. Alarmed by the historical 'Project Cauldron' — the private (and patented!) American proposal to liquify the oil in Alberta's tar sands with nuclear weapons — the increasingly militant green lovers go north to Fort Mac with the plan of exploding the containment wall of an oil-sands tailings pond dam to flood the entire region in toxins and bring the industry to a halt. The environmental racism that finds northern Canadian First Nations poisoned is also resented by character in the novel who is a Cree sniper and whose bile-duct cancer brought him home prematurely from the war in Afghanistan. He, too, has a plan to stop the sands.
The author has taught creative writing and contemporary fiction at 4 Canadian universities and has published or presented literary essays in France, Sweden, Canada, Germany, the United States, India and Iceland. The opening prologue of his novel is forthcoming in one of Canada's literary magazines.

============== and....


AIRE by N.C.


Read two new chapters from the novel AIRE each week


Aire

aire book cover
Some two centuries from our present time, the future we feared has become reality. Untamable climate change has taken its toll on the planet and shaken the technologically advanced society to the core. The extreme pollution and radiation have made the health care system dependent on the medical oxygen supplies and rare healing herbs imported from the last remaining natural reserve called Aire.
This isolated community is a home to Taya, a young woman who secretly wishes she could travel the world and at least once experience life outside of her secluded hometown.
As a result of a peculiar turn of events, Taya finds herself all alone for the first time in a strange city she does not belong in. Here, in the capital of the new world, she encounters a kind man who shares her values and passions. But, as their short romance unfolds, a cloud of danger hovers over her hometown.
Unaware of the environmental disaster that threatens to destroy Aire, she is torn between nostalgia for her home and the desire to stay with her soul mate, whom she might never see again if their contrasting worlds continue to drift apart.

The full version of ‘Aire’ is available as ebook on Amazon, iTunes, B&N for just $0.99 for a limited time. For lovers of paperbacks, Aire is also available on Amazon in this form. For readers outside USA, please search for the title ‘Aire’ by N.C. on your local Amazon or iTunes stores

Saturday, November 5, 2016

THE FRENCH RADIO SHOW "France Culture" announcer uses the cli-fi term while speaking French in the intro to the show: ....C’est l’argument du nouveau roman de ***cli-fi, pour climate fiction,**** de l’auteur américain Paolo Bacigalupi, Water Knife, de retour des Utopiales, le festival de Science-Fiction de Nantes qui s’est conclu hier et dont nous allons parler avec sa directrice artistique, la romancière Jeanne-A. Debats.'' - https://www.franceculture.fr/emissions/la-methode-scientifique/de-retour-des-utopiales

THE FRENCH RADIO SHOW "France Culture" announcer uses the cli-fi term while speaking French in the intro to the show: ....C’est l’argument du nouveau roman de ***cli-fi, pour climate fiction,**** de l’auteur américain Paolo Bacigalupi, Water Knife, de retour des Utopiales, le festival de Science-Fiction de Nantes qui s’est conclu hier et dont nous allons parler avec sa directrice artistique, la romancière Jeanne-A. Debats.'' - https://www.franceculture.fr/emissions/la-methode-scientifique/de-retour-des-utopiales

Ten-minute INTERVIEW en francais avec Paolo Bacigalupi on ''FRANCE CULTURE'' RADIO SHOW:

Ten-minute INTERVIEW en francais avec Paolo B. on FRANCE CULTURE RADIO SHOW:

https://www.franceculture.fr/emissions/la-methode-scientifique/de-retour-des-utopiales#

hat tip: Julien Gremillot @JulienGremillot

La Méthode scientifique

04.11.2016
59 min

THE FRENCH RADIO SHOW "France Culture" announcer uses the cli-fi term while speaking French in the intro to the show: ....C’est l’argument du nouveau roman de ***cli-fi, pour climate fiction,**** de l’auteur américain Paolo Bacigalupi, .''

THE FRENCH RADIO SHOW "France Culture" announcer uses the cli-fi term while speaking French in the intro to the show: ....C’est l’argument du nouveau roman de ***cli-fi, pour climate fiction,**** de l’auteur américain Paolo Bacigalupi, Water Knife, de retour des Utopiales, le festival de Science-Fiction de Nantes qui s’est conclu hier et dont nous allons parler avec sa directrice artistique, la romancière Jeanne-A. Debats.'' -

RADIO LINK ten minute show:


https://www.franceculture.fr/emissions/la-methode-scientifique/de-retour-des-utopiales

INTERVIEW with Paolo Bacigalupi (in French, done recently in France by Eric Jentile)

INTERVIEW with . (in French, in France recently by Eric Gentile) -- at .

LINK:

http://www.quoideneufsurmapile.com/2016/11/utopiales-2016-interview-de-paolo.html

  1. Nice talk about benevolent machines with Pascal J. Thomas, Sara Doke and at
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    1. Excerpts:

      Utopiales 2016 : Interview de Paolo Bacigalupi

      conducted by Eric Jentile a.k.a N.D. Gromovar

      Paolo Bacigalupi et moi c'est un peu une vieille histoire d'amour - bon, honnêtement, c'est plutôt platonique.

       A lire beaucoup un auteur - disons The windup girl, Pump Six, The Alchemist, The water knife, City of Ash, Mika Model - on a l'impression, sûrement justifiée, qu'on commence à se faire une idée de ce qu'il a dans la tête.

       Mais si l'exégèse a du bon, il est encore meilleur de retourner à la source, d'écouter les paroles de celui qui écrit. Les Utopiales m'ont donné l’occasion cette année de converser (trop brièvement) avec Paolo, un homme souriant, ouvert, chaleureux, littéralement aimable.

       Je vous livre ici cet entretien, qui porte en grande partie sur son nouveau roman Water Knife.
      ======================
      ''Bonjour Paolo, et merci pour ton temps.''

      ERIC: Tu as gagné un grand nombre de Prix avec ton premier roman La fille automate. Qu’est ce que cela fait d’être autant récompensé pour son baptême du feu ?


      PAOLO: C’est très surprenant. C’est irréel, ça semble être un rêve. Ca parait impossible. Gagner le Hugo et le Nebula, ces Prix gagnés par les livres d’autres personnes telles que Ursula Le Guin, Orson Scott Card, William Gibson, etc. Ces livres que j’ai lu en grandissant. Honnêtement j’ai eu le sentiment d’être indigne de telles récompenses. Comment pouvais-je me tenir à côté de gens qui m’ont inspiré et m’ont poussé à devenir un meilleur écrivain ? Ca ne paraissait pas juste. Alors j’étais très honoré et je me sentais aussi un peu comme un imposteur. Mais de voir autant de gens aimer le livre, le comprendre, être excité par lui, c’était un vrai cadeau, c’était énorme.

       Ton travail est centré sur les questions environnementales. Pourquoi ce centre d’intérêt plutôt qu’un autre ?

      Honnêtement, je pense que c’est le fruit d’un accident. J’ai grandi parmi des hippies dans un environnement très rural au Colorado. J'aimais écrire. Et, au moment où j’ai commencé à vraiment peaufiner mon style, à apprendre comment être un écrivain, je travaillais pour High Country News, un journal environnemental. Alors, mon travail pour High Country News et mon hobby - écrire des nouvelles - se sont chevauchés. Avant ça, j’avais écrit quatre romans dont aucun n’avait été publié et aucun des quatre n’avait une telle coloration environnementale. Je continuais à travailler et améliorer mon style d’écriture, et, parallèlement, parce que j’écrivais pour High Country News, j’étais baigné en permanence dans des informations détaillées sur l’environnement, sur les mines (à ciel ouvert ou autre), la pollution des rivières par les rejets miniers, le fracking, les phénomènes d’extinction de la vie sauvage, le réchauffement climatique, etc. Les journalistes avec lesquels je discutais ou buvais des verres me racontaient des quantités d’histoires sur ces phénomènes, ils me décrivaient des situations concrètes, et tout à coup j’ai réalisé que je pouvais prendre ce qu’ils me racontaient et, dans un optique SF, essayer d’imaginer ce qui se passerait si tout ce qui était en train de se produire se poursuivait pendant des années. Je leur demandais plus ou moins implicitement : « Voici à quoi le monde ressemble aujourd’hui, si ce que tu racontes s’aggrave, où cela nous mènera-t-il ? ». C’était donc un lieu idéal pour commencer à travailler. Ca collait avec mes valeurs, avec mes centres d’intérêts, c’était des sujets compliqués donc c’était intéressant de les utiliser pour écrire de la fiction. De plus, peu de gens écrivaient en SF sur ces sujets précis, il y avait donc un vaste terrain à débroussailler.

       L’an dernier, tu as sorti l’excellent et glaçant Water Knife. Peux-tu nous résumer l’histoire en quelques mots ?

      Water Knife est une histoire sur le changement climatique, la sécheresse, et la raréfaction de l’eau dans un futur proche. C’est l’histoire de trois personnages qui essaient de survivre dans ce futur difficile. Le gros de l’action se passe dans la ville de Phoenix (Arizona), une ville qui n’a pas planifié, qui ne s’est pas demandé d’où venait l’eau qu’elle consommait, et qui se retrouve confrontée pour l'usage de cette ressource à la ville de Las Vegas. Ces deux cités, et tous les Etats du SE des USA, dépendent de la rivière Colorado. C’est une histoire sur la rivière, sur qui a accès à la rivière, sur qui la contrôle.
      Concrètement, c’est l’histoire de trois personnes qui essaient de survivre dans ce monde fracturé. Il y a le coupeur d’eau, Angel, qui « coupe » l’eau pour Las Vegas. Il va à Phoenix à la recherche de droits sur l’eau, pour assurer que Vegas aura toujours l’eau dont elle a besoin. Il y a Lucy Monroe, une journaliste. Elle a des informations explosives concernant les droits sur l’eau qu’Angel cherche. Tous deux se trouvent donc sur des trajectoires conflictuelles. Et puis il y a Maria, une réfugiée climatique qui a fui son Texas natal, déjà asséché. Elle s’est retrouvée coincée à Phoenix, alors qu’elle veut aller vers le Nord. Tous ces personnages vont interagir, et leurs dures histoires respectives donneront accès à l’image plus large d’un monde en cours de fragmentation.

       Les droits sur l’eau sont étranges pour les Français. Peux-tu expliquer en quelques mots de quoi il s’agit ?

      Les droits sur l’eau n’existent que dans l’Ouest des USA, dans les zones très arides qu’on y trouve, constituées en bonne partie de déserts. Les droits sur l’eau stipulent que la première personne qui découvre l’eau ou revendique l’eau a un droit perpétuel sur celle-ci. Les suivants, s’ils veulent utiliser l’eau, doivent acheter les droits ou prouver qu’il y a plus d’eau disponible que ce qui a été originellement attribué.
      La règle est : Premier arrivé, premier servi. La personne qui a obtenu les premiers droits possède ce qu’on appelle des droits seniors : cela signifie que si j’ai des droits seniors correspondant à 100 parts d’eau sur la rivière et que le débit de la rivière tombe en-dessous de 100 parts, ceux (arrivés après) qui n’ont que des droits juniors n’auront plus droit à aucune part de l’eau. C’est une échelle imbriquée hiérarchiquement. Seuls les premiers gagnent, ceux qui ont les droits seniors. C’est vrai aussi entre les Etats, la Californie a des droits très seniors car elle a été fondée il y a très longtemps et elle a donc de grands droits sur les eaux du Colorado ; à l’inverse Phoenix est bien plus récente, elle n’a donc que des droits très juniors.

      Et entre les USA et le Mexique, comment cela fonctionne-t-il ?

      Il y a un traité entre les USA et le Mexique qui réserve une part de l’eau du Colorado au Mexique. Dans les faits, le Mexique reçoit souvent bien moins que sa part.

       Avec la sécheresse en cours, y a-t-il des tensions entre les USA et le Mexique ?

      Il y a TOUJOURS des tensions à propos du Colorado, entre les USA et le Mexique, entre la Californie et l’Arizona, entre les Etats du bassin inférieur (Californie, Arizona, Nevada) et ceux du bassin supérieur (Colorado, Utah, Wyoming, Nouveau Mexique). Le système hydrologique s’étend sur des milliers de kilomètres le long des Montagnes Rocheuses. La neige tombe sur les Rocheuses, fond dans le Colorado qui coule dans le bassin supérieur où convergent toutes les eaux de fonte, puis la rivière descend vers le bassin inférieur où se trouvent les utilisateurs principaux. C’est un système en équilibre très précaire car s’il neige moins que prévu dans les Rocheuses, des milliers de kilomètres plus bas hommes et cultures auront moins d’eau.
      Il y a aussi de fréquentes controverses sur qui a le plus besoin de l’eau, qui doit être servi en premier en cas de manque. Les villes ou les cultures ? Combien d’hommes abreuver ? Combien d’eau utiliser pour élever des bœufs ou faire pousser des végétaux ? Parfois on utilise même l’eau du Colorado pour faire pousser du riz en Californie ce qui est complètement absurde.
      Et puis, il y a le Mexique, à qui on doit donner une partie de l’eau.
      Mais il est très difficile pour chacun de ne pas céder à la tentation de prélever un peu plus que ce à quoi il a droit.

       Peut-on penser que Maria devient un nouveau genre d’être humain ? A la fin du roman, elle semble s’adapter à la nouvelle réalité du monde d’une façon qui peut sembler peu morale. Sera-ce notre lot à tous ?

      Je pense que les choix moraux que font les personnages dans le roman sont des choix humains. Ce sont les choix de personnes qui ont été placées dans des situations inextricables. Ce sont les choix qui apparaissent quand nous sommes sous pression : décidons-nous de faire les choses bonnes, ou morales, ou sûres ?
      Ce genre de situation sert de test, de révélateur, et on ne peut savoir ce qu’on ferait que si on s’y trouve soumis. Il est très facile, quand on est en sécurité, de se convaincre qu’on agirait comme une personne bonne. Ce n’est qu’au pied du mur qu’on découvre qui on est vraiment.
      Je ne veux pas juger mes personnages sur la base de la seule moralité. J’ai une forme d’empathie pour eux. Ils doivent se débattre entre les choix, tous mauvais, que nous créons pour eux aujourd’hui. NOUS, personne d’autre, avons légué à ces pauvres gens une situation et des choix détestables. Ils doivent trouver comment survivre, étant donné le contexte dans lequel ils se débattent.
      Je pense que Maria est entièrement morale car elle obéit à son unique impératif : prendre soin d’elle-même. C’est le cœur du sujet. Ces gens doivent survivre à une situation que nous avons créée pour eux, ce n’est pas de leur faute s’ils sont là où ils sont, c’est de la nôtre. Le jugement moral devrait porter sur nous. Nous devrions éviter à tout prix de placer des gens à l’avenir dans de telles situations. Or, aujourd’hui, nous accomplissons des actes immoraux à l’endroit de nos successeurs. La faute morale est sur nous.

      Revenons justement au présent. Crois-tu à une mise en œuvre effective de la COP 21 ? Penses-tu qu’un nouvel accord plus contraignant est nécessaire ?

      Oh, oui. Nous avons besoin de tous les accords possibles. La COP 21 est, enfin et au moins, un début. Je pense qu’elle est imparfaite, incomplète, pas assez rapide dans ses objectifs, mais il faut bien commencer. Au moins, nous sommes tombés d’accord sur la réalité du problème. Nous aurions dû le faire il y a plus de vingt ans, mais au moins maintenant c’est fait.
      Je pense qu’à partir de là, nous allons pouvoir et devoir aller de l’avant, maintenant que nous sommes tous d’accord sur l’existence et la gravité du problème. Il faudra bien sûr aller plus loin car nous avons déjà passé les barrières précédentes, autant sur les ppm de CO2 que sur l’élévation (2°) des températures. La science nous dit d’aller plus loin, mais politiquement c’est tout ce que nous avons pour le moment. Aux USA, ça traîne les pieds, les mégacorps notamment sont une part du problème. C’est difficile.
      Alors je ne crie pas victoire mais je me dis que c’est un premier pas.

      L’accord Chine-USA de 2014 est-il un bon signe pour toi ?

      Et bien, la Chine c’est une économie en croissance de plus d'un milliard de personnes, donc tout ce que fait la Chine a de l’impact sur tous. Mais c’est vrai aussi pour les USA. Et d'autres. Nous sommes tous dans le même bateau et certains font des trous dans la coque.
      Le plus tragique pour moi à propos de tout ça, c’est que nous dans les pays riches disions « nous ne faisons rien tant que les pays pauvres ne font rien », que nous disions « je ne ferai rien tant que tu ne feras rien ». C’est juste stupide. C’est le plus grand échec moral des pays riches, et en particulier des USA. Nous ne devrions pas nous soucier autant de ce que la Chine ou l’Inde ou les autres vont faire. Je pense qu’il est de notre responsabilisé morale d’agir, et de cesser d’attendre que le voisin agisse pour agir nous-mêmes.

      Water Knife raconte une désintégration des USA. La campagne présidentielle étant ce qu’elle est, crains-tu une telle situation ?

      L’idée que les USA puissent se désagréger m’inquiète. Je suis beaucoup la vie politique américaine. Chez les Républicains en particulier mais pas seulement, il y a une rhétorique disant que les Etats devraient avoir plus de droits. De plus, les Républicains tentent sans cesse d’appauvrir le gouvernement fédéral, ce qui signifie qu’il affaiblissent la cohésion de l’Union. Ce sont les germes de la désagrégation, les questions de Water Knife.
      Quand j’ai écrit Water Knife, dans mon esprit, le roman se passait dans plus de 20 ans, dans 50 ans, loin, à une distance rassurante. Mais plus je regarde la campagne présidentielle, plus je réalise ce qui est en jeu, plus je me dis que je m’illusionne, que Water Knife, politiquement et climatiquement, est peut-être bien plus près que je ne le croyais, peut-être dans 5 ou 10 ans seulement. Quand on voit la campagne de Trump, les vagues de haine pour l’étranger qu’il développe, quand on voit le Brexit, on revient à ma question du début : « si ça continue comme ça, vers quoi allons-nous ? ». Je n’aime pas ces tendances, elles m’inquiètent.


       Dans Water Knife, tu as inventé les Merry Perrys. Peux-tu expliquer aux français qui est le gouverneur Perry ?

      Rick Perry a été très longtemps gouverneur du Texas (jusqu’en 2015). Il a aussi été un candidat présidentiel potentiel en 2012, et brièvement en 2016. C’est le genre de leader politique qui m’effraie. Il y a eu une très grande sécheresse au Texas en 2011, et Perry a demandé à ses concitoyens de prier pour la pluie. C’est un leader qui est explicitement engagé dans une forme de pensée magique, alors que les évolutions en cours risquent de nous broyer.
      Alors voir la manière dont fonctionne Rick Perry et savoir que le Texas deviendra de plus en plus sec dans le futur me fait penser qu’il était important d’écrire (et de lire) Water Knife parce que le futur vers lequel nous allons est inquiétant. Et avoir mis des Merry Perrys (illuminés) dans le livre est ma manière de « Fuck you » à Rick Perry et ça a été un grand plaisir (rires).

      Merci beaucoup Paolo et bonne chance à Water Knife.
      N. d. Gromovar : Message à Rick Perry : S'il n'y a plus d'eau, ne t'inquiète pas, on utilisera du Brawndo (It's got electrolytes).
       
       

      DO NOT READ THIS UNTIL AFTER THE USA ELECTIONS ARE OVER AND THE FINAL VOTES HAVE BEEN COUNTED AND OFFICIALLY ACCEPTED BY BOTH PARTIES!

      On August 15 this past summer......., 71 years to the date after [fascist Hitler-supporter] Japan announced its intention to surrender, .....American author and climate activist Bill McKibben, writing in the webpages of New Republic, called for a World-War-II-scale effort on climate change.

      Michael Svoboda writes:

      in YALE CLIMATE CONNECTIONS BLOG:

      http://www.yaleclimateconnections.org/2016/10/red-race-and-blue/

      New Republic cover

      Unlike previous calls for a wartime-level mobilization, such as that of Al Gore at the end of An Inconvenient Truth, McKibben’s call was buttressed by a detailed breakdown of the factories, plants, installations, and materials required. He also pointed to a just-published book about America’s mobilization for World War II that carefully documented the federal government’s hands-on management of several key industries.

      Together, these two detailed works imply that America both has the means to do what is needed now and that doing what was needed then had been more contentious than we remember. Thus, he argued, Americans just have to muster the will to overcome the current political divide so that we can get down to the business of combatting climate change.
      Analysis
      What McKibben’s impassioned essay left out was the profound transformation of the United States in the decades since the war. As this review of recent titles assessing the state of America’s economy and politics will suggest, progress on climate change must begin with the recognition that “the past is a foreign country“: We no longer live in the nation that won World War II.

      The backstory

      Three books provide the historical, economic, and demographic contexts for this argument.
      In Destructive Creation, the book cited by McKibben, historian Mark Wilson argues that our public memory of the original World-War-II-scale effort has been distorted by subsequent public relations campaigns of America’s major national corporations. They spun a story of businesses willingly heeding the call to arms and then managing their own efforts to meet the material demands of the war.
      In truth, Wilson says, many business leaders had to be corralled into cooperating and some proved inept at scaling production up to the levels required. In response, the federal government appointed industry overseers, built and managed its own factories, and took significant steps to limit profiteering and wage gouging. With his party controlling both houses of Congress, President Roosevelt was able to take such measures.
      The problem for contemporary calls to re-enact this solution is that the corporate PR efforts largely succeeded. The public now perceives corporate leaders to be more effective managers, and the Republican Party, which controls both houses of Congress, is more committed than ever to keeping the federal government out of the economy.
      Economic historian Robert J. Gordon points to a deeper problem. The American economy of the post-WWII era was part of a larger historical anomaly, the “special century” from 1870-1970 when a series of discoveries and inventions – including the discovery and widespread use of oil to power several world-changing inventions – significantly increased the health, comfort, productivity, and wealth of Americans. The mobilization for World War II accelerated these developments. But by the 1970s, this miraculous confluence of events and innovations, including the first national broadcasting networks, which had served as unifying forces, was coming to an end. Growth became harder to sustain, and efforts to equitably distribute the benefits of that growth became harder still.
      At the end of The Rise and Fall of American Growth, Gordon acknowledges that the climate is changing, and he recognizes economic opportunities in efforts to address the problem, but he sees climate change more as a headwind for the economy, slowing growth, than a tailwind.
      WW2 poster
      The Americans depicted in ads and posters from World War II are overwhelmingly white – and presumed to be Christian.
      But this was a false image. African Americans and other people of color had played key roles in American history, from the first settlements to and through World War II.
      America is now poised to become a majority minority nation in which whites make up less than 50 percent of the population.
      White Christians are already in the minority. According to Robert P. Jones, founding CEO of Public Religion Research Institute (PRRI), “1993 was the last [year] in which white Protestants constituted a majority of the population. Today, even when Catholics are included, white Christians make up less than half the country.”
      In The End of White Christian America, Jones documents this historical development and explains the sense of loss – and anger – this entails for religious groups that see themselves as synonymous with “America.”
      And as PRRI has documented in previously published surveys of American public opinion, this religious identity crisis affects how Americans respond (or don’t respond) to climate change.

      The loss of trust and the rise of polarization

      At the end of World War II, many Americans felt good about their country and their prospects. Fears that the end of war-time production might lead to a downturn in the economy were quickly allayed by the surge in production for the new consumer economy. Because its infrastructure had been built up for the war rather than destroyed by it, for the next two decades the United States enjoyed unprecedented advantages in the world economy. And because of the strong unions and high taxes that continued into the postwar years, the benefits of these advantages were broadly shared, albeit still unequally, especially for African-Americans.
      Unfortunately, as Yuval Levin notes in The Fractured Republic, Americans came to mistake these exceptional circumstances for the norm. When their former allies and enemies recovered, with the considerable assistance of U.S. foreign aid, American companies and workers were surprised by the stiff competition. (For this reason, he cautions against nostalgia for the post-war period, on the part of the left, and against nostalgia, on the part of the right, for the tax-cuts and de-regulations of the Reagan era, which mistakes a one-time fix for a general cure-all.)
      These economic headwinds built up just as the country began to address the deeply embedded inequalities of racism. People who were all but invisible in the iconography of the mobilization, African-Americans, now claimed their due for their services during the war. At the same time, a new war in Vietnam consumed American resources and blood – and sparked further unrest.
      One can see the impact of these developments on Americans’ trust in government in survey data annually updated by Pew Research.
      Trust in government figure
      Although the variations in the red and blue lines lines show that Americans typically trust government more when “their” party is in the White House, the graph as a whole documents an overall decline from 1958 to the present. The drop begins just after Lyndon Johnson got the first of his big civil rights bills through Congress following the assassination of President Kennedy. Thereafter the only time since the presidency of Richard Nixon that the average for both parties topped 50 percent was just after 9/11.
      Two points should be stressed here.
      First, the decline in trust began when the illusion of racially homogenous national solidarity was broken. White Southerners felt betrayed by the federal government. The way of life they fought for in World War II, with its presumption of white privilege, was challenged by African-Americans who, having fought to preserve freedom for all Americans, refused to accept less than full citizenship for themselves. And through the nonviolent civil resistance advocated by Martin Luther King, Jr., and others, the federal government was pressured into supporting their just cause. Add in the economic headwinds, a stalled war in Vietnam, student protests, assassinations, race riots, and Watergate and the 50-point drop in trust does not seem altogether surprising.
      Second, Southern white anger over Civil Rights profoundly transformed – and polarized – the two parties. White Southerners abandoned the Democratic Party and became Republicans. African-Americans consolidated their shift from the party of Lincoln to the party of Franklin Roosevelt and the New Deal. With the loss of conservative white Southerners, the Democratic Party became more liberal. And as liberal Republicans in the Northeast and on the West Coast either changed their allegiance or lost their primary contests, the Republican Party became more conservative. The two parties are now perfectly sorted ideologically: the most conservative Democratic representative in the House is more liberal than the most liberal Republican.
      It is to these developments that political scientists Marc Hetherington and Thomas Rudolph point in Why Washington Won’t Work: Polarization, Political Trust, and the Governing Crisis. Working with data from American National Election Studies and their own experimental surveys, Hetherington and Rudolph found that the public’s trust in government varies with the economy and international affairs. Trust goes up when the economy is good, but trust declines, to a greater degree, when the economy falters. And when Americans perceive that the country is threatened by foreign powers or actors, trust in government also rises.
      Hetherington and Rudolph further found that Americans trust different parts of government, even EPA, more than they trust the government as a whole. One might elicit broader public support for a policy, they hypothesize, by talking about what it will empower the specific agency involved to do rather than what it will empower “the government” to do.
      Overall, however, they are disturbed by the extraordinarily low levels of trust in government recorded since 2001 and by the deepening partisan divide. As the graph shows, in 2015 only 10 percent of Republicans said they “trust the federal government to do what is right just about always or most of the time.” Hetherington and Rudolph see no sure ways to reverse this trend.

      Partisan tactics

      But the partisan political divide is not just the result of demographic, economic, or social factors. The pursuit of partisan political advantage also played a role. To succeed, political efforts to address climate change must find ways to counter these moves.
      Contract With America cover
      Former House Speaker Newt Gingrich of Georgia deserves special mention here. He perfected the tactic of running for government by running against government. He learned that one could block and obstruct responsive action in Congress and then campaign on the failure of Congress to act.
      At first Gingrich’s hardball tactics were limited to the House, where he advised incoming representatives not to move their families to Washington. With fewer social bonds between them – because they and their families did not share schools, churches or recreational activities with their counterparts – representatives felt fewer compunctions when battling their opponents. But as Sean Theriault recounts in The Gingrich Senators, when some of Gingrich’s first congressional recruits were later elected to the Senate, they brought those partisan hostilities and tactics with them. As a result, the Senate is now about as polarized and as partisan as the House.
      After the 2008 election, when Obama received 53 percent of the votes cast and decisively won over African-Americans and Latinos, GOP strategists recognized the demographic future described by Jones in The End of White Christian America. If they could not win the votes of the emerging minority majority, they had to find a way to blunt the effect of their votes.
      In the crudely named Ratf**ked, Salon political analyst David Daley chronicles the GOP’s campaign to win control of state legislatures in 2010 so that those Republican-controlled bodies could decide how to use the 2010 census data to redraw their state’s congressional districts. The GOP was extraordinarily successful in implementing this plan, with the result that in several states Democratic candidates for Congress received more votes than Republican candidates but won fewer seats. In Pennsylvania, for example, Democratic candidates received 50.7 percent of the total votes cast but won only 5 of the state’s 18 congressional races.
      These tactics enabled Republicans in 2012 to hold on to most of their gains in the 2010 midterms and then expand those gains in 2014, when they also regained control of the Senate. Although Republican Senate leaders put some limits on their colleagues in the House – attempts to shut down the government were thwarted – the GOP continued to block Obama administration efforts, including its efforts on climate change, in every way possible.
      In their 2016 update for their 2012 book, It’s Even Worse Than It Looks Was, congressional historians and analysts Thomas Mann and Norman Ornstein review the extra-constitutional measures – such as filibusters and holds on executive appointments – that Republicans used to gridlock government in 2014 and 2015. Republicans have adopted the no-holds-barred stance of an opposition party in a parliamentary system, while using every procedural tactic provided by America’s very different system of divided government. Much more so than Democrats, Mann and Ornstein continue to argue, “Republicans are the problem.”
      Franklin Roosevelt never encountered this level of opposition and obstruction when he mobilized America for World War II. But this level of opposition has already been mobilized to obstruct action on climate change.
      Book collage

      Personal political stories and social solutions

      The new and confounding figure in this story is Donald Trump. The billionaire’s success in winning over blue-collar and small-business white males with his anti-immigration, anti-trade, and anti-Muslim riffs suggests that the conservative anger fanned and channeled by Newt Gingrich has slipped its ideological moorings. Personal grievances, whether actual or perceived, now seem to fuel the opposition to “the government” rather than any policy framework or vision for the future.
      Trump was not in the picture when Arlie Russell Hochschild, a sociologist at one of the major universities on the Left Coast, first set out to understand conservative rage, especially Southern Tea Party anger. What she found were white Christian Americans who felt, as Robert Jones has predicted, that their country had left them behind.
      In Strangers in Their Own Land, Hochschild provides moving portraits of individuals and families living in the bayou country of Louisiana. All of them mourn the despoliation of the environment – with its magnificent cypress trees and once-bountiful fish and game – by the oil and chemical companies for which most of them now work. But they vote for Tea Party candidates who promise to shut down EPA and to rein in the federal government – the federal government that provides 44 percent of Louisiana’s state budget. And now, Hochschild found by the end of her study, they plan to vote for Trump.
      Beneath these contradictory responses, Hochschild finds a “deep story” of loss and resentment:
      You are patiently standing in a long line leading up a hill . . . to the American Dream. . . . You’ve suffered long hours, layoffs, and exposure to dangerous chemicals at work, and received reduced pensions. [But] you have shown your moral character through trial by fire. [Then] you see people cutting in line ahead of you! Some are black. [Others] are women, immigrants, refugees, public sector workers. . . . Unbelievably, standing ahead of you in line is a brown pelican, fluttering its long, oil-drenched wings.
      To these Bayou conservatives, Barack Obama is another one of those cutting in line. Despite his youth and inexperience, blue-state cosmopolitans had chosen Obama over McCain, the experienced, red-state American war hero. And once in office, Obama’s policies, in the minds of Hochschild’s interviewees, clearly favored minorities.
      Yet as cultural critic Michael Eric Dyson documents in The Black Presidency, it was precisely to avoid this perception, especially during his first term, that Barack Obama tried to minimize his connections with the African-American community. So that he could represent all of America, Obama resisted reduction to a particular, hyphenated identity. But because Obama could not control how others saw him, Dyson argues, race began to color areas of policy he had tried to segregate from the issue – including climate change.
      In Louisiana, for example, climate change – which Hochschild includes among the factors weighing on the Bayou’s future – is viewed as yet another liberal (and northern) cause slipping ahead of white Americans in line.
      Several other titles published for this election offer comparable accounts of mostly working-class whites in the culture wars. This includes J.D. Vance’s Hillbilly Elegy, a first-person account of a young man growing up in Appalachia. But most of these books are written by women, including the first attempt to understand the new right-wing populism of the Tea Party, written by Theda Skocpol and Vanessa Williamson. This may be happenstance, but some research suggests that women can negotiate political divides more easily than men, in part because they speak to and listen for different things.
      Whoever is elected in November will inherit the divided, partisan, and gridlocked government described above. But if, for the first time in American history, the new president is a woman, there is some chance that her gender will enable her to make connections with the increasing number of women working in every branch and at most levels of government. Whether more women in government will actually change the way it works is the question taken up by journalist Jay Newton-Small in Broad Influence.

      Remembering how things once worked

      American Amnesia cover
      Ultimately, however, for the federal government to play the role envisioned by Bill McKibben, severed economic, political, and social bonds must be re-connected and re-activated. To use the metaphor in the title of the new book by political scientists Jacob Hacker and Paul Pierson, American Amnesia, Americans must remember that the “mixed economy” in which the public and private sector cooperated to achieve national objectives was once the norm rather than the exception. (Yuval Levin might accuse Hacker and Pierson of nostalgia for the post-war era, but they document examples of the mixed economy from the Colonial Era to the present.)
      It is the current conservative hostility toward the mixed economy that is the historical anomaly, argue Hacker and Pierson. So much so that the U.S. is the only country in the developed world that forbids its federal government from negotiating with pharmaceutical companies for better drug prices for its healthcare programs.
      This protected status for corporate America, at least in its dealings with the federal government, might be seen as the final manifestation of the PR campaign Wilson described in Destructive Creation. As Hacker and Pierson point out, both because of corporate donations to political campaigns and legislative cuts to the federal budget, many agencies can no longer monitor effectively the industries they are supposed to regulate.
      But there may be an upside to the anti-establishment populisms of Bernie Sanders and Donald Trump. The deepening suspicion of multi-national corporations and globalism may create an opening for the critical conversation about economics, with its assumption of perpetual “growth,” sought by climate activists, like Bill McKibben and Naomi Klein, and social scientists. Thus although a WWII-scale effort is not in the cards yet, effective action on climate change might be used to transform the economy in ways that also make it more fair for everyone, including working class, white, Christian Americans.

      Re-establishing a bi-partisan vision with partisan tactics

      In the near term, however, the several books discussed in this review imply the need for short-term partisan tactics and long-term bi-partisan thinking.
      • Climate activists must accept the fact that in the U.S., for the foreseeable future, federal action on climate change depends on action by Democrats.
      • Securing the election of Hillary Clinton will make it much more likely that the executive branch will continue to promote action on climate change through its regulatory authority.
      • A Hillary Clinton presidency will also likely result in a Supreme Court more inclined to approve these regulatory frameworks as constitutional. (See this climate simulator to understand how the November 8 election could affect climate policy.)
      • But to retain control of the agenda, Democrats must get serious about mid-term elections.
      • In particular, Democrats must mobilize to contest Republican control of the state legislatures that will use the 2020 census data to re-draw congressional districts.
      • Efforts to revise the procedural rules of Congress should continue.
      • To reap the benefits of the demographic shift described by Robert Jones, Democrats must deepen their ties with millennial voters. (Books that explicitly address the implications of climate change for millennials – such as Coming of Age at the End of Nature: A Generation Faces Living on a Changed Planet (2016) – may prove useful in this regard.)
      • But at the same time, both parties must recognize the tolls that globalization, free trade, and innovation have levied on the lives of middle- and working-class Americans, especially older Americans in the Midwest and South.
      • Climate activists should be open to working across party lines on innovative proposals, like the carbon tax, which has been embraced by several conservative think tanks. But effective, “mixed economy” solutions should not be abandoned for “bi-partisan” chimeras masking as  “solutions.”
      • Women in government should seize the opportunity afforded by a Hillary Clinton presidency to show that by working together, they can build bridges across partisan political divides.
      • But conditions and places must be recreated to enable the two parties to compromise. As Jonathan Rauch recently argued in The Atlantic, this may mean making government less rather than more transparent so that representatives can move beyond the partisan anger of their most extreme supporters.
      • Until such places are recreated, activists and politicians should recognize that in the age of the internet and social media, nothing is “off the record,” no matter how “deplorable.”
      As stressed by Hetherington and Rudolph, however, the overarching goal must be to restore trust in government. Without that trust, the first WWII-scale effort itself would not have succeeded.