[NOTE: ''Theodore'' Dalrymple is the "nom de bloom" of an American medical doctor named ''Anthony Daniels''. He is a contributing editor of the Manhattan Institute's City Journal. ]
50 years from now, no one in Indiana—or at least, no one born and raised in Indiana—will be able to write cursive. On the other hand, everyone there will be able to type, and by then technology might have made the ability to sign your name redundant. If it has not, perhaps you will be able to hire an out-of-stater or immigrant to sign your will or marriage certificate for you.
State officials recently announced that Indiana schools will no longer be required to teach children to write longhand, so that students can focus on typing. This is because writing by hand is so very—well, so very 4000 B.C. to A.D. 2010. We have now entered a new era: A.H., After Handwriting.
The schoolchildren of Indiana—and those of an increasing number of other states—will therefore never know the joys of penmanship that I experienced as a child. In those days, we still had little porcelain inkwells in the tops of our desks. The watery blue ink eventually evaporated to a deep blue gritty residue, and we used scratchy dip-pens with wooden handles, whose nibs were forever bending and breaking.
Our whole world was inky. Our desktops were soaked in ink; it got into our skin, under our nails and into our clothes. We even began to smell of it. For those of us who were even slightly academically inclined, the callus that formed on the skin of the side of the middle finger as it rubbed against the wood of the pen was a matter of pride: We measured our diligence by the thickness of the callus and longed for it to grow bigger.
I still remember my pride in my first full-length handwritten composition: an eight-page account of crossing the Gobi Desert in a Rolls-Royce, accompanied by blots, smudges and inky fingerprints. To my chagrin and everlasting regret, my teacher was not impressed by my formidable effort. She said that I must keep to reality and not be so imaginative.
Despite many hours first of tracing, then of copying copperplate examples, my handwriting never became other than serviceable at best. I was left-handed, and this made things more difficult because, whether I pushed or pulled the pen, smudges followed my writing across the page. Luckily, though, we had emerged from the dark ages when left-handers were forced to use their right hands. Little did we know, it was the beginning of the pedagogic liberalism that has now brought us to the abandonment of writing altogether.
Another character-building joy that may be denied to Indiana schoolchildren is the handwritten exam. They will never know that peculiar slight ache in the forearm, produced by fevered scribbling as thoughts rushed through your mind in answer to questions such as "Was Louis XIV a good king?" (my answer was a firm and uncompromising "no") and struggled to find written expression, only to slow down once it became clear that there were not enough of those thoughts to fill the allotted time. So then you deliberately made your handwriting deteriorate to make it appear that you could have written much more if only you had had the time, but unfortunately you did not. This kind of game continued into my early 20s.
Were my teachers ever taken in by it? I doubt it, but even then I knew it was all really a rite of passage, a slow induction into the adult world that I so longed to join. Since the need for such rites seems to be permanent in human societies, no doubt new such rites will develop for those who focus on the keyboard, but I do not know what they will be. Having reached the age when pessimism is almost hard-wired into the brain, I think they will not only be different but not as beneficial to the developing character.
Indeed, my first reaction to the news from Indiana was visceral despair, not only because the world I had known was now declared antediluvian, dead and buried, but because it presaged a further hollowing out of the human personality, a further colonization of the human mind by the virtual at the expense of the real.
When I scrawled and blotted and smudged my way across the page, I had the feeling that, for good or evil, what I had done was my own and unique. And since everyone's writing was different, despite the uniformity of the exercises, our handwriting gave us a powerful, and very early, sense of our own individuality. Those who learn to write only on a screen will have more difficulty in distinguishing themselves from each other, and since the need to do so will remain, they will adopt more extreme ways of doing so. Less handwriting, then, more social pathology.
hat tip to ET for this
