reviewed and profiled by
Dan Bloom
David
Thorpe has penned a crossover YA fantasy novel titled "Stormteller"
and by crossover I mean it's for both young adults and adults. In a
recent interview with the author in Wales in Great Britain, where he
has lived for more than 20 years, I found a man who writes not only
to tell a good yarn but also to offer hope in a world that sometimes
seems devoid of it.
Thorpe
is an optimist. And with "Stormteller," he has something
vital to import to his crossover audience of teens and adults: that
you gain hope in the face of global problems like climate change by
educating yourself and joining with others, and by doing everything
you can to make a difference in your own life.
While
the novel is a fantasy YA novel, with a climate theme mixed in for
good measure (but not the main theme), the book could be seen in the
way that Huffington Post columnist Scott Thill defines cli-fi as a
cultural prism rather than a specific genre or marketing term.
"It's
about survival," Thorpe says of his book's main lesson.
"Survival is psychological as well as material. The way to avoid
feeling a victim of events outside your control is to take
initiatives, to seize the day. As the Michael Caine character says in
the film 'Interstellar', "it's time to stop thinking as
individuals, but thinking together as a planet" -- or something
like that."
"Stormteller"
is set in the area Thorpe lived, in mid-Wales, near the coast. "I
now live in south Wales, still a beautiful place," he says. "I
grew up in Nottingham, Robin Hood country. In mid-Wales I lived in a
village called Taliesin, named after Wales' legendary bard (a word in
this case meaning a combination of poet and shaman. Wales is the land
of bards)."
Set
in a landscape he knows well, having walked over much it himself over
the years, Thorpe says Wales means a lot to him. "I always felt
when I moved to this edge of the British Isles from London that here,
unlike most places, the skin of the present is thin: you can feel the
vibrations from the past still reverberating down the centuries like
thunder beneath your feet.
"Not
far away is the Bearded Lake, and allegedly a footprint left by King
Arthur when he passed this way, and north of there the mountain Cader
Idris, Welsh for 'Seat of Arthur'.
"But
the real stories that come from this area are older than Arthur's:
the birth of Taliesin and Cantr'er Gwaelod, which is the tale of how
the land that now lies beneath Cardigan Bay was drowned by the sea,"
he adds. "It's these, and this beautiful, wild and dramatic
landscape, that sparked my imagination to write this novel."
Thorpe
said that in terms of genre, the book is "a young adult novel
with fantasy elements, because it includes these legendary, magical
characters who are trying to influence the events in the story by
taking over the main characters.
"But
they each have conflicting aims for the same characters. Only one of
them may be successful in changing the outcome of their original
myth, which they wish to escape," he said.
When
asked about the time frame of the novel, Thorpe said it's set in
2030, some 15 years into the future. And the climate change theme is
real, too.
"I
do believe it is still possible for us to escape the worst ravages of
climate change, but we must act together and quickly," he said.
"In my novel there is a group of people who anticipate these
ravages and set up an eco-village. This eco-village is based on the
research I did for another, non-fiction, book which is being
published at the same time titled 'The One Planet Life', about people
who are trying now to live within the means of the planet. But in
'Stormteller' this eco-village does not survive because I think
things will get a lot more desperate than we imagine."
Thorpe
said that the eco-village scene in "Stormteller" is based
upon a real event that happened four or five years ago when the price
of fuel went up a lot. Farms in Great Britain were being raided for
the pink diesel that they stored, as pink diesel is tax-free there
because it is used off-road.
"In
one incident, a farmer's wife was shot dead by thieves stealing this
fuel," Thorpe said. "It was astonishing and showed me how
quickly civilization can break down. This indicates how prepared we
must be to defend what we have when resources will get scarce."
When
asked if "Stormteller" could be classified perhaps as a YA
cli-fi novel, Thorpe said that he had never heard of the cli-fi genre
term before this reporter mentioned it to him.
"I
like the cli-fi term, but I would not like to get trapped within one
genre," he added. "My last YA novel, 'Hybrids', was called
science fiction by the publisher, but I perhaps naively did not
realize I had written a science fiction book. To me it was a
metaphor. Are 'Brave New World' or '1984' science fiction books? What
about 'Metamorphosis' by Franz Kafka?"
When
asked about climate change issues and how the denialist camp often
muddies the discussions going on worldwide, Thorpe said he is a firm
believer in global warming.
"Of
course global warming is made by human activities," he said. "No
one in their right mind could imagine we could pump so many millions
of tons of greenhouse gases into the atmosphere and not make a
difference to the climate. I do not believe that the majority of the
British public is in denial, and that most people here and
fortunately the government are convinced of the reality of AGW.
However the fossil fuel companies have financed a huge propaganda
campaign to protect their interests and stoked up political division,
particularly in the United States."
But
with the United States and China having recently made an agreement to
cut emissions, which Thorpe sees as "a great step forward,"
the innovations needed to do this will make the world a better place,
create jobs and make everyone healthier.
"It
is a great opportunity, not a burden," Thorpe said of the
U.S.-China accord.
Has
there been any interest in turning "Stormteller" into a
movie or a TV series in Britain?
"I
think that "Stormteller" would be good as a film or as a
three-part television series and I would love to write it, and it
would be easy to adapt," he said, adding: "It would not be
expensive to make. I have suggested it to Ed Thomas and his
production company in Wales which is the group behind the successful
series 'Hinterland' here and to the commissioning editor at Welsh
Channel 4."
When
asked what the title of his novel means, Thorpe answered directly:
"You should ask my wife, she came up with the title. I think
it's great. You can make of it what you will."
Thorpe
noted that he did not have a literary agent. "I would like one,
but it has to be someone I would really get on with who understands
my work. This book received many rejections in earlier drafts. I met
the publisher at a literary festival and told him of this and he
immediately offered to publish it, for which I was very grateful. It
is not a conventional publishing deal. Publishing is changing fast
and different publishers offer different services. In essence it is a
risk-sharing deal. In this case, the publisher does most of the work
and takes most of the risk, but I take a little too. In return I get
a much greater share of the received price for the book."
The
novel also got some funding help from an arts group in Wales.
"As
for the writing and editing process, in the first instance I received
a grant to write the novel from a local arts agency interested in
regional regeneration. They thought a novel set in the area would
help create tourism and jobs. I also paid for professionals to do a
critique of earlier drafts, which was a really good investment. I
recommend it. In all the novel went through about 13 drafts."
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