Tuesday, February 18, 2020

'This silly, banal, tedious, kokushittsu novella ''WEATHER'' by literary rockstar Jenny Offill represents the End of Literature in the 21st Century. I'm outta here,'' writes a disgruntled book reviewer

''Time flies by in this wry story of a family—librarian Lizzie, her classics buff husband, their son, and her brother, a recovering addict. Apocalypse (climate and otherwise) looms over the narrative, and yet it is funny and hopeful too.'' REALLY?

"Offill's shards of prose, like McCann's, are set apart from one another by a thumbs-width of white space. They are bricks without grout. This trending method of organizing a novel is not yet insufferable but has a trap door, exaggerating a writer's weaknesses/''
This review of Jenny Offill's new cli-fi novel WEATHER came in the mail the other day to this blog, and I am not sure if it was written by someone the satirical website THE ONION or if some angry climate denialist out there just has it in for any novels about climate change and eco-anxiety and eco-angst. I told him I'd run his "review" on a trial basis just to see if there was any interest in readerland for such drivel (his outlandish review that is) but just to test the waters, I'm printing in verbatim here. Don't read it if you don't want to (his wild and angry review that is).

Other reviews? See https://www.nytimes.com/2020/01/31/books/review-weather-jenny-offill.html

NOW TO THE REVIEW AT HAND: 
He wrote:

Jenny Offill's new novel Weather is the most boring, banal, ridiculous, silly, dull, mundane, tedious, obtuse, slow, sluggish, tedious (again with the tedious) piece of New Age crap I have ever seen. In lieu of a proper review, here are some excepts [IN BOLD TYPE BELOW] from her "novel" and my annotations to the excerpts.  I stopped laughing. And yes, I believe in climate change and I believe it's real. But this kind of a climate novel doesn't help or serve the cause at all. Maybe I should crawl back in my hole.
My take:
Basically, This so-called ''novel ''repressents the End of Literature in the 21st Century. I'm outta here. But do read the rest of these excerpts and see for yourself. You've been warmed. Unless you're on Paxil or Prozac!
In the morning, the one who is mostly enlightened comes in. There are stages and she is in the second to last, she thinks. This stage can be described only by a Japanese Zen meditation word: KOKUSHITTSU ''Bucket of black paint,'' it means. BUCKET OF BLACK PAINT is what this novel is! How could the New York literati go in for such dreck. Is this what the publishing world has come to?
I spend some time pulling books for the doomed adjunct. He has been working on his dissertation for eleven years. I give him reams of copy paper. Binder clips and pens. He is writing about a philosopher I have never heard of. He is minor, but instrumental, he told me. Minor but instrumental! This is funny? This is humorous? How could the New York literati  at the New York Times (five separate reviews of this crap book by five separate staff Times writers on five separate days! It was like a PR wet dream gone amok! How can the New York Times Book Review go in for such dreck. Is this what the publishing world has come to?










But last night, his wife put a piece of paper on the fridge. Is what you’re doing right now making money? it said. This is funny? This is humorous?  This is about cimate change?  Pure banality.
The man in the shabby suit does not want his fines lowered. He is pleased to contribute to our institution. The blond girl whose nails are bitten to the quick stops by after lunch and leaves with a purse full of toilet paper. ''The blond girl whose nails are bitten to the quick stops by after lunch and leaves with a purse full of toilet paper. ''  What does this have to do with the climate crisis?





I brave a theory about vaccinations and another about late capitalism. “Do you ever wish you were thirty again?” asks the lonely heart engineer. No, never, I say. I tell him that old joke about going backward. Oh, here comes a very tedious and juvenile sci-fi joke! Don't read it backwards!





We don’t serve time travelers here.
A time traveler walks into the bar. There! See? That's a joke?
On the way home, I pass the lady who sells whirling things. Sometimes when the students are really stoned, they’ll buy them. No takers today, she says. I pick out one for Eli. It’s blue and white, but blurs to blue in the wind. Don’t forget quarters, I remember. How can this novel pass for literature?









At the bodega, Mohan gives me a roll of them. I admire his new cat, but he tells me it just wandered in. He will keep it though because his wife no longer loves him. This is funny? This is humorous?  This is about cimate change?  Pure banality.










“I wish you were a real shrink,” my husband says. “Then we’d be rich.”
This is about cimate change?  In what way? How were so many book reviewers foold by this?
Henry’s late. And this after I took the car service so I wouldn’t be. When I finally spot him, he’s drenched. No coat, no umbrella. He stops at the corner, gives change to the woman in the trash bag poncho. This is funny? This is humorous?  This is about cimate change?  Pure banality.





My brother told me once that he missed drugs because they made the world stop calling to him. Fair enough, I said. We were at the supermarket. All around us things tried to announce their true nature. But their radiance was faint and fainter still beneath the terrible music.
I try to get him warmed up quickly, soup, coffee. He looks good, I think. Clear-eyed. The waitress makes a new pot, flirts with him. People used to stop my mother on the street. What a waste, they’d say. Eyelashes like that on a boy! Eyelashes?  This is about cimate change?  Pure banality.










So now we have extra bread. I eat three pieces while my brother tells me a story about his NA meeting.  A woman stood up and started ranting about anti-depressants. What upset her most was that people were not disposing of them properly. They tested worms in the city sewers and found they contained high concentrations of Paxil and Prozac. What do Paxil and Prozac  have to do with climate emergency?
When birds ate these worms, they stayed closer to home, made more elaborate nests, but appeared unmotivated to mate. “But were they happier?” I ask him. “Did they get more done in a given day?” Help! I'm glad didn't buy this book and read it all the way  through. These boring excerpts are banal.





The window in our bedroom is open. You can see the moon if you lean out and crane your neck. The Greeks thought it was the only heavenly object similar to earth. Plants and animals fifteen times stronger than our own inhabited it. These boring excerpts are banal.










My son comes in to show me something.  It looks like a pack of gum, but it’s really a trick. When you try to take a piece, a metal spring snaps down on your finger. “It hurts more than you think,” he warns me. WTF? These never-ending and boring excerpts are banal.
Ow. Ow indeed!
I tell him to look out the window. “That’s a waxing crescent,” Eli says. He knows as much now about the moon as he ever will, I suspect. At his old school, they taught him a song to remember all its phases. Sometimes he’ll sing it for us at dinner, but only if we do not request it.
The moon will be fine, I think.  No one’s worrying about the moon. Now it's the moon? I'm glad didn't buy this book and read it all the way  through.
The woman with the bullhorn is at the school door this morning. She’s warning the parents not to go in, to leave the children there behind the red line. “Safety first!” she yells. “Safety first!”
This is a book about runaway climate change and eco-anxiety? In what way?















But sometimes Eli cries if he’s left in that loud scrum of people. He doesn’t like having to walk alone from one side of that huge cafeteria to the other. Once he froze in the middle until some aide grabbed him by the elbow and pushed him toward his corner.
Help! I'm glad didn't buy this book and read it all the way  through. These boring excerpts are banal. Help! I'm glad didn't buy this book and read it all the way  through. These boring excerpts are banal.
So today we make a run for it and dart past her to his assigned assembly point. His friend is at the table and has animal crackers so I make it out of there without tears, but not before the bullhorn woman screams at me. “No parents! No parents may accompany their children!”
This is a book about runaway climate change and eco-anxiety? In what way?
God, she loves that bullhorn. Something shoots through my body at the sound of her voice, then I’m out on the street again, telling myself not to think. No comment!










All day long cranky professors. I swear the ones with tenure are the crankiest. They will cut past other people in line to check out a book or set up their hold list. Studies have shown that 94% of college professors think that they do above average work.
This is a book about runaway climate change and eco-anxiety?





They gave us a guide the other day. Tips for Dealing with Problem Patrons. The professors weren’t mentioned. There were the following categories.
Malodorous
Humming
Laughing
Defacing
Laundering
Combative
Chattering
Lonely
Coughing People paid money for this book?
But how to categorize this elderly gentleman who keeps asking me to give him the password for his own email? I try to explain that it is not possible for me to know this, that only he knows this, but he just shakes his head in that indignant way that means, what kind of help desk is this?
This is a book about eco-anxiety? In what way?
There’s a poster of Sylvia at the bus stop. It says she’s coming to give a talk on campus. Years ago, I was her grad student, but then I gave up on it. She used to check in on me now and then to see if I was still squandering my promise. The answer was always yes. Finally, she pulled some strings to get me this job even though I don’t have a proper degree for it. So?










On the way home, I listen to her new podcast. This episode is called The Center Cannot Hold. They could all be called that. But Sylvia’s voice is almost worth the uptick in dread. It’s soothing to me even though she talks only of the invisible horsemen galloping toward us.
There are recognizable patterns of ascent and decline. But our industrial civilization is so vast, it has such reach…
I look out the window. Something in the distance, limping toward the trees.
It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?
The door opens and Eli hurls himself at me. I help him peel some rubber cement off his hands then he goes back to his game. This is the one that everyone likes. It is a 3D procedurally generated world, according to my husband. Educational.
It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?





It’s fun to watch them play. They put together buildings block by block then fill the rooms with minerals that they have mined with pick-axes they have made. They assemble green fields and raise chickens to eat. “I killed one!” Eli yells. “It’s almost night,” Ben tells him.




                   It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?





There are bills and supermarket flyers. Also, a magazine addressed to a former tenant. The cover promises tips for helping depressive people.
What to say:
I’m sorry that you’re in so much pain. I am not going to leave you. I am going to take care of myself, so you don’t need to worry that your pain might hurt me.
What not to say:
Have you tried chamomile tea?
It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?
Afterward, we walk in the park. He’s met someone maybe. But he doesn’t think it’s going to work out. She’s too different from him. It takes me a while to figure out they haven’t even been on a date yet. “You don’t want to date someone like you, do you?” I ask him. Henry laughs. “God, no.”
In the first class I ever took with Sylvia, she told us about assortative mating. Meaning like with like–depressive with depressive. The problem with assortative mating, she said, is that it feels perfectly correct when you do it. Like a key fitting into a lock and opening a door.









                   It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?





The question being: Is this really the room you want to spend your life in?
So I tell my brother how Ben and I never notice the same things. Like that time, I came home and he was all excited because they finally took it down. Took what down, I asked. And he had to explain that the scaffolding that had covered the front of our building for three years was finally gone. And then last week when I was telling him a story about the guy from 5C, he said, Wait, what drug dealer?
When I get home, the dog wants an ice cube. I give her one, but she keeps banging her bowl around the kitchen. “How was your day?” I ask Ben. He shrugs. “I coded mostly, did some laundry.”
There is a heroic tower of folded things on the table. I spot my favorite shirt, my least depressing underwear. I go into the bedroom and change into them. Now I am a brand-new person.










On her third day of marriage, Queen Victoria wrote: My dearest Albert put on my stockings for me. I went and saw him shave, a great delight… 





My mother calls and speaks to me of the light, the vine, the living bread.
Seven am and Eli is playing fetch. I take the slobber frog away, put it on top of the fridge. “We have to go! Get your backpack!” I tell him. The dog watches me warily, her head on her paws.  I run a brush roughly through Eli’s hair. He winces and darts away from me. “We have to go! Put on your shoes!” I yell. Then finally, we’re out the door.
Mrs. Kovinski tries to tell me something about the elevators, but we race right past her. Ten blocks. I’m walking too fast, pulling Eli along with me. Wrong living, I know, I know, but it’s a long line at the office if he’s late.










A last sprint across the playground and we make it just in time. I’m out of breath, sweaty, sad. I kiss Eli’s head, trying to undo it the rush. Why didn’t I have more kids so I could have more chances?
These other mothers knew enough not to have only one. There is a cluster of them over by the fence. They are speaking Urdu, I think. One of them smiles at me and I give a little wave.





How do I look to her, I wonder, in my drab clothes and fancy glasses. Last week, she donated a bag of silk fabric for the school raffle; it is red, stitched through with golden thread. Eli wants to win it and use it for a cape. I know how to write her name, but not how to say it.










This woman is a shrink. Also a Buddhist. She likes to practice one or the other on me, I’ve noticed. “You seem to identify down not up. Why do you think that is?”
You tell me, lady.
Here is the midnight question for my husband. What is wrong with my knee? “I hear this little click when I’m walking. And there’s a twinge too sometimes if I take the stairs.” He is eating a spoonful of peanut butter. He puts it in the sink then kneels down to examine me.  “Does this hurt?” he asks, pressing lightly on the skin. “How about this? Or this?” I waggle my hand to indicate maybe it does, maybe a little bit. He stands up and gives me a kiss. “Knee cancer?” he says.
One good thing about being addicted to sleeping pills is that they don’t call it addicted they call it “habituated.”
Funny how people will lecture you about anything these days. This one on the library steps is going on and on about my ham sandwich. “Pigs are more trainable than dogs! Cows understand cause and effect!” Who asked you anyway, I think, but I leave and eat it at my desk.















But the man in the shabby suit tells me things I want to know. He works for hospice. He said that it is important when a loved one dies to try to stay alone in the house for three days. This is when the manifestations occur. His wife manifested as a small whirlwind that swept the papers off his desk. Marvelous, marvelous, he said.
There’s a sign on our elevator saying it is out of order. I stand there looking at it as if it might change. Mrs. Kovinski comes into the lobby. They’ll let anyone be super now is her theory. Anyone.
I get the mail, put off making my slow way up the stairs. The fancy preschool still sends us their newsletter. This one features a list of the top ten fears reported by their students. Darkness doesn’t make the cut. Blood, sharks, and loneliness are 8, 9 and 10.










When I come in, the dog is sleeping under the table. Eli is folding a piece of plain white paper. “Don’t look,” he says. “I’m inventing this. No one will ever know what I have done except me.”





I don’t look. I put out kibble and water, peer open-heartedly into the fridge. The window is open. It’s nice out. The pigeons aren’t on the fire escape. There are some pots left over from the tomato experiment. “Whoosh,” my son says.
My #1 fear is the acceleration of days. No such thing supposedly, but I swear I can feel it.
“Do you want a snack?” she asks me. I hesitate because Catherine works in advertising. She met my brother when he signed up to be in a focus group for her agency. A hundred dollars cash was the pay. The assignment was to brainstorm names for a new deodorant aimed at children under ten. The Stink of Angels was his contribution.




                   It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?





I still can’t quite believe they’re a couple, but on their first date, they both ordered club soda. Twelve Steppers call it the Thirteenth Step. She used to do a little coke. He was all about the pills.
I tell Catherine I’m just going to wait for dinner. Later, I cruise by her desk and sure enough there’s a folder there.
Potato Chips: Ambitious, successful, high achiever
Nuts: Easygoing, empathetic, understanding
Popcorn: Takes charge, smart, self-confident
I heard into the living room and there is Ben, blithely eating cashews.
It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?
Sunday morning. The dog has found a baby bunny in the grass. She closed her mouth around it once then released it. Now we are trying to save it. Someone at the community garden has given us a box lined with a soft cloth. But it is trembling violently. There is no blood anywhere, but there are small indents in the fur that show where her teeth have been. We try to put it back in the garden but it has already died. Of fright, I think.





That night, Eli calls to us hysterically from the kitchen. There’s a mouse skull under the sink, he says. I give Ben a dark look. We are killing them secretly, I thought. Heavily, he rises to go in there. He gets down on his knees to look under the sink. But it is only a knob of ginger and we are saved.










I don’t know what to do about this car service man. He told me business is down; no one is calling anymore. He had to let all his drivers go and is down to one car. He sleeps at work now so as to never miss a call. His wife has said she is going to leave him.
Mr. Jimmy. That’s the name on the card he gave me. I try to use only his service now, not the better, faster one. Sometimes when I call his voice is groggy. He says always that he will be there in seven minutes, but it is much longer now.
I used to take a car service only if I was going to be late, but now I find I am building in double the amount of travel time. A bus would be the same or faster. Also, I could afford it. But what if I am the only customer he has left?















I’m late for the lecture now. And I was wrong about which building it’s in. By the time I get there, Sylvia is almost through speaking.  There’s a big crowd. Behind her is a graph shaped like a hockey stick.
“What it means to be a good person, a moral person, is calculated differently in times of crisis than in ordinary circumstances,” she says. She pulls up a slide of people having a picnic by a lake.  Blue skies, green trees, white people.
“Suppose you go with some friends to the park to have a picnic. This act, is, of course, morally neutral, but if you witness a group of children drowning in the lake and you continue to eat and chat, you have become monstrous.”










The moderator makes a gesture to show it is time to wrap up. A line of men is forming behind the microphone. “I have both a question and a comment,” they say. A young woman stands up to wait in line. I watch as she inches forward. Finally, she makes it to the front to ask her question.
“How do you maintain your optimism?”
I can’t get to her afterward. There are too many people. I walk back to the subway, trying to think about the world.
Young person worry: What if nothing I do matters?
Old person worry: What if everything I do does?
It just goes on and on. Can anyone reading these excerpts or my annotations here explain how the USA and UK literary worlds were taken in by this dull, boring, tedious, silly, unliterary nonsense?  This novel represents the End of Literature in the 21st Century. I'm outta here.
From the book: WEATHER by Jenny Offill. Copyright © 2020 by Jenny Offill. To be published on February 11, 2020 by Alfred A. Knopf, an imprint of The Knopf Doubleday Group, a division of Penguin Random House, LLC. Permission granted by Union Literary, LLC.

https://www.butterflyeffect.io/blog/2020/2/21/weather-fiction-friday

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